The History of Korean Western Theatre
What is Korean theatre? This deceptively simple question gives rise to a host of others, all of them crucial and unanswerable. In 2008, South Korean theatre, celebrating its hundredth anniversary, seemed to Jaha Koo like a sterile practice, diluted by forced westernization. Yet this peninsular nation was once stirred by dance, ceremonies, and rituals full of mythical figures. Jaha Koo, as heir to an amputated memory, probes the shadows of childhood and the blind spots of History to create from the ruins of the past a form of theatre that responds to the present.
The History of Korean Western Theatre follows the irresistible Cuckoo, whose disarming uniqueness delighted Montréal audiences in 2019. Always applying himself with a whimsical rigour to subverting documentary, this genre-defying artist is spreading his wings wide, filling the stage with his delicate, enchanting sound and visual creations.

Jaha Koo (Seoul + Ghent) CAMPO
Jaha Koo graduated in theatre studies from the Korea National University of Arts in Seoul and continued his training at DasArts in Amsterdam, where he moved in 2012. Jaha Koo has been splitting his time between the Netherlands and Belgium for the past ten years.
Media Coverage
“The history of Korean Western Theatre reassesses a lost culture while at the same time meticulously analyzing the influence of superpowers; on the individual man, on a nation, on a culture.”
Moos Van den Broek, Coming-of-age.sophiensaele.com (Germany), 2021-05-27
“Every detail in that story is given a function and, in this way, he makes connections between history and autobiography.”
Moos Van den Broek, Coming-of-age.sophiensaele.com (Germany), 2021-05-27