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© Julie Artacho

Les jolies choses

Catherine Gaudet

Intake of Air

Five bodies move to the rhythm of a metronome. Their mechanical gestures are endlessly reprised, the machine runs wild and demands their absolute compliance. With her ripened artistic language, choreographer Catherine Gaudet seeks a space within bodies where desires can be reborn despite the burden of constriction.

This seemingly harmless collective score, with its orderly routes, gives off a scent of cheap veneer that will soon end up cracking. Attuned to the conflicting throbbing of her era, Gaudet surrounds herself with her loyal collaborators to explore the false pretenses of the show business apparatus. After a while, repetition reveals itself to be the troublemaker among the dancers-turned-instrumentalists. It pushes open the whistling valve to release the excess vapour of salted bodies. Indeed, de-pressure is the flip side of grandiosity. Here, the risk of tastelessness is all too real, but necessary in order to maintain balance.  

General info

About the artist

© Julie Artacho

Catherine Gaudet (Montreal) Compagnie Catherine Gaudet

On Catherine Gaudet’s stage, social masks come off to the rhythm of bodies exulting. After surveying the troubling truths and irreverent underground pathways of our humanity with Au sein des plus raides vertus (FTA, 2014) and Tout ce qui va revient (2018), Gaudet is back at FTA with a whole new piece, Les jolies choses. This time, she steps away from the theatrical aspects of her earlier works, all the while maintaining her subversive powers.

Full biography


“Let me clarify. It was important to me that this choreographic approach involve a purification and economy of movement. Therefore, I developed a complex graphic score based on very simple, quasi-mechanical gestures.”

Read the interview