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TOUT ARTAUD ?!

CHRISTIAN LAPOINTE | PRODUCTIONS RECTO-VERSO

The perfornance is over
Christian Lapointe will read out loud the 28 complete works by Antonin Artaud with the electrifying possibility of breaking the world record. An impressive tour de force.

Details

ARTAUD TO THE MAX
Onstage are Christian Lapointe and 28 complete works by the mythical poet, playwright and actor Antonin Artaud, plus the basic essentials for reading… or surviving, for he will read out loud the poet’s writings non-stop, continuously day and night, until he drops from exhaustion. With the electrifying possibility of breaking the world record for reading aloud – 113 hours and 15 minutes.

Christian Lapointe will be taking Artaud, prophet of the impossible theatre, at his word by becoming an “athlete of the heart”, an actor who “rejects the usual limitations of man”. Artaud, in his hallucinatory language, called for a theatre of cosmic cruelty, a theatre of trance that spoke directly to the nerves, theatre that provides access through its wild, primitive poetry to the sacred mysterious powers that are the driving forces of the universe. Christian Lapointe, a man of integrity and a versatile artist, will plunge heart and soul into this singular initiation rite, an impressive tour de force that opens the door to the searing intensity of Artaud’s theories, an Artaudian act indeed.

Credits

PRODUCED BY CHRISTIAN LAPOINTE + PRODUCTIONS RECTO-VERSO
WRITTEN BY ANTONIN ARTAUD
CREATED AND PERFORMED BY CHRISTIAN LAPOINTE

CODIFFUSION THÉÂTRE LA CHAPELLE
PRESENTED IN ASSOCIATION WITH LA LIBRAIRIE GALLIMARD DE MONTRÉAL TO SUPPORT THE FONDATION POUR L’ALPHABÉTISATION

WRITTEN BY PAUL LEFEBVRE
TRANSLATED BY NEIL KROETSCH

PREMIERED AT FESTIVAL TRANSAMÉRIQUES, MONTREAL, STARTING ON MAY 23, 2015

 

CHRISTIAN LAPOINTE | PRODUCTIONS RECTO-VERSO (Montreal)

Access to the work of Artaud via the body
The singular career of Christian Lapointe began in 2001 with Le chien de Culann, based on the work of William Butler Yeats, and from the outset has been characterized by an atypical theatricality, and by diction and delivery that, rather than representing daily speech, reveals its meaning. Initially interested in the symbolists – Yeats of course, but also Villiers de l’Isle-Adam, whose unperformable Axel he staged in 2006 – Christian Lapointe gradually shifted his focus to portraying that part of reality that any act of staged representation demands. This approach led to Vu d’ici, based on the novel by Mathieu Arsenault (2008), Sepsis (2012), L’enfant matière by Larry Tremblay (2012) and Oxygène by Ivan Viripaïev (Prix de la critique for the 2013-14 season). He is the founder of Théâtre Péril as well as an associate artist with Recto-Verso since 2011, and was appointed co-artistic director of Théâtre Blanc in Quebec City in 2013. The FTA presented his piece CHS in 2007, as well as Outrage au public and L’homme atlantique (et La maladie de la mort) in 2013.

Full biography