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PLAZA

NINI BÉLANGER | PROJET MÛ

Welcome to the Plaza! Nini Bélanger invites the audience on a stroll through the human maze and reveals a hidden treasure – the most cosmopolitan shopping centre in Montreal.

Details

TREASURES OF THE PLAZA (NO DISCOUNT SALES AVAILABLE)
A calm but impetuous force, the director Nini Bélanger traces fragments of life that give her theatre the power to turn reality inside out. In Plaza she ventures far from the stage. Accompanied by several dozen aficionados, she takes the audience on an exceptional stroll through the human maze and reveals a hidden treasure – the most cosmopolitan shopping centre in Montreal.

Fascinated by the microcosm of Côte-des-Neiges Plaza, a rallying point for many in the neighbourhood (a multiethnic mix of some sixty different nationalities), Nini Bélanger examines the site with a fine-tooth comb. She seeks, in the ups and downs of daily life, the codes of a theatre of the invisible, scrutinizing the clues of an often silent humanity. Just where is this “us” that brings us together? She is seeking rapprochement, resolution, and pointedly questions the limits of possible encounters. In shopping malls infiltrated by art, Nini Bélanger treats spectators as contemplative, thinking citizens. Welcome to Plaza!

Credits

 

PRODUCED BY PROJET MÛ
DIRECTED BY NINI BÉLANGER
DRAMATURG MÉLANIE DUMONT
ASSISTANT DRAMATURG MANON CLAVEAU
PERFORMED BY FARIBA BONAKDAR + PABLO DICONCA + JEAN FAYOLLE JR + TATIANA ZINGA BOTAO + NON-PROFESSIONAL ACTORS
SET DESIGN KARINE GALARNEAU
SOUND DESIGN L’EAU DU BAIN

COPRODUCTION FESTIVAL TRANSAMÉRIQUES
PRESENTED IN ASSOCIATION WITH PLAZA CÔTE-DES-NEIGES

WRITTEN BY JESSIE MILL
TRANSLATED BY NEIL KROETSCH

PREMIERED AT FESTIVAL TRANSAMÉRIQUES, MONTREAL, ON MAY 29, 2015

 

NINI BÉLANGER | PROJET MÛ (Montreal)

In the Buzz and Babble of the World
With Projet MÛ, which she founded after graduating from the National Theatre School in 2005, Nini Bélanger inaugurates courageous creative cycles that dare to explore in greater depth and at greater length, far from the imperatives of standard productions. The movements she creates have everything to do with the spectator, who is invited at times into a living room, at other times confronted in the theatre with larger-than-life reality. Searching for micro-details, her hyper-realistic language attests to remarkably acute perception and compassion for the living. She aims to bring forth inspiration, to add thoughtfulness to the act of theatre so as to gain access to raw, unvarnished reality.

Full biography