1989

FESTIVAL DE THÉÂTRE DES AMÉRIQUES — 3RD EDITION

À quelle heure on meurt?

Martin Faucher (Montréal)

À quelle heure on meurt?

Two children become adults. Two children refuse to grow up, to enter the narrow, sombre tunnel of adulthood.

Border Brujo

Guillermo Gomez-Pena (San Diego)

Border Brujo

Americans of native stock (are there any?) are afraid. The U.S.-Mexican border is like a sieve.

El Concilio de Amor

Jesusa Rodriguez (Mexique)

El Concilio de Amor

Jesus is a simpleton, his father an incontinent old man and Mary, a show-off.

Hamlet

Hillar Liitoja (Canada)

Hamlet

In a vast space, actors and audience wander, uncertain. Where is the play?

Je me souviens

Samy Frey (France)

Je me souviens

Memories come and go, twist and turn, and memory trips up over details.

L’Annonce faite à Marie

Alice Ronfard (Montréal)

L’Annonce faite à Marie

Violaine kisses a man and becomes a leper. One kiss, a single kiss, and she catches leprosy. A terrible gift of love. Yet while her body rots away, her soul soars . . .

La Negra Ester

Roberto Parra et Andrés Pérez (Chili)

La Negra Ester

1940. A brothel in the port of San Antonio, Chile. A singer, Roberto, falls madly in love with a prostitute: Ester.

La Secreta Obscenidad de Cada Dia

Maria Elena Duvauchelle (Chili)

La Secreta Obscenidad de Cada Dia

When two voyeurs in trenchcoats meet on a public bench and think they’re Marx and Freud, a whole dimension of twentieth-century history is laid bare.

Le Chien/The Dog

Brigitte Haentjens (Canada)

Le Chien/The Dog

A son goes back home, to a trailer home somewhere in northern Ontario. Somewhere, nowhere.

Merz Opéra et Oulipo Show

Denis Marleau (Québec)

Merz Opéra et Oulipo Show

Like sparkling jewels riding horseback on madness and laughter, Merz-Opéra and Oulipo Show slug away at the absurd. Seeing them one after the other is like a headlong plunge into a faultless double bill of verbal frenzy and acoustic poetry.

Opium

Lorne Brass (Québec)

Opium

Five men, in water up to their ankles, work in a brokerage office.

Pablo

Laura Yusem (Mexico)

Pablo

There are three of them, with nothing in common except their memories of Pablo.

Pass The Blutwurst, Bitte

John Kelly (United-States)

Pass The Blutwurst, Bitte

Vienna, at the turn of the century. Egon Schiele is a painter, despairing, immensely talented, who wants to love, to live.

Plaques tectoniques

Robert Lepage (Québec)

Plaques tectoniques

The story begins a hundred million years ago, when a gigantic mass of rock broke up into the continents.

Six personnages en quête d’auteur

Anatolt Vassiliev (U.R.S.S)

Six personnages en quête d’auteur

Heir to Stanislavski and possessed by Dostoievski, Anatoli Vassiliev is a character first and foremost.

Suz O Suz

La Fura dels Baus (Espagne)

Suz O Suz

Les hommes avancent, la Nature s’écarte de leur chemin. Les hommes sont en quête.

Terre Promise / Terra Promessa

La Marmaille et le Teatro Dell'Angolo (Québec)

Terre Promise / Terra Promessa

The Earth awakes, the volcanos are extinct, life emerges.

The Road to Immortality : Part Three, Frank Dell’s The Temptation of St. Anthony

Elizabeth Le Compte (États-Unis)

The Road to Immortality : Part Three, Frank Dell’s The Temptation of St. Anthony

Frank Dell’s The Temptation of St. Antony is the third part of a brilliant and disconcerting trilogy.

WHEN GIRLS COLLIDE

Stewart Lemoine (Québec)

WHEN GIRLS COLLIDE

It’s 1943. There’s a war on and Bunsen Bay, Wisconsin, is a town without men. In a town without men…